Pierres sans répit

2022
Public space
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Luise Schröder & Chedly Atallah, Pierres sans répit, 2022, Palisade detail
Luise Schröder & Chedly Atallah, Pierres sans répit, 2022, Palisade detail
Luise Schröder & Chedly Atallah, Pierres sans répit, 2022, Palisade detail
Luise Schröder & Chedly Atallah, Pierres sans répit, 2022, Palisade detail
Luise Schröder & Chedly Atallah, Pierres sans répit, 2022, Palisade detail
Luise Schröder & Chedly Atallah, Pierres sans répit, 2022, Palisade detail
Luise Schröder & Chedly Atallah, Pierres sans répit, 2022, Palisade detail
Luise Schröder & Chedly Atallah, Pierres sans répit, 2022, Palisade detail
Luise Schröder & Chedly Atallah, Pierres sans répit, 2022
Luise Schröder & Chedly Atallah, Pierres sans répit, 2022
Luise Schröder & Chedly Atallah, Pierres sans répit, 2022
Luise Schröder & Chedly Atallah, Pierres sans répit, 2022
Luise Schröder & Chedly Atallah, Pierres sans répit, 2022
Luise Schröder & Chedly Atallah, Pierres sans répit, 2022
Luise Schröder & Chedly Atallah, Pierres sans répit, 2022
Luise Schröder & Chedly Atallah, Pierres sans répit, 2022
Luise Schröder & Chedly Atallah, Pierres sans répit, 2022
Luise Schröder & Chedly Atallah, Pierres sans répit, 2022
Luise Schröder & Chedly Atallah, Pierres sans répit, 2022
Luise Schröder & Chedly Atallah, Pierres sans répit, 2022
Luise Schröder & Chedly Atallah, Pierres sans répit, 2022
Luise Schröder & Chedly Atallah, Pierres sans répit, 2022
Luise Schröder & Chedly Atallah, Pierres sans répit, 2022
Luise Schröder & Chedly Atallah, Pierres sans répit, 2022
Luise Schröder & Chedly Atallah, Pierres sans répit, 2022
Luise Schröder & Chedly Atallah, Pierres sans répit, 2022
Luise Schröder & Chedly Atallah, Pierres sans répit, 2022
Luise Schröder & Chedly Atallah, Pierres sans répit, 2022
Luise Schröder & Chedly Atallah, Pierres sans répit, 2022
Luise Schröder & Chedly Atallah, Pierres sans répit, 2022
Luise Schröder & Chedly Atallah, Pierres sans répit, 2022
Luise Schröder & Chedly Atallah, Pierres sans répit, 2022
Luise Schröder & Chedly Atallah, Pierres sans répit, 2022
Luise Schröder & Chedly Atallah, Pierres sans répit, 2022
Luise Schröder & Chedly Atallah, Pierres sans répit, 2022
Luise Schröder & Chedly Atallah, Pierres sans répit, 2022
Luise Schröder & Chedly Atallah, Pierres sans répit, 2022
Luise Schröder & Chedly Atallah, Pierres sans répit, 2022
Luise Schröder & Chedly Atallah, Pierres sans répit, 2022
Luise Schröder & Chedly Atallah, Pierres sans répit, 2022
Luise Schröder & Chedly Atallah, Pierres sans répit, 2022
Luise Schröder & Chedly Atallah, Pierres sans répit, 2022
Luise Schröder & Chedly Atallah, Pierres sans répit, 2022
Luise Schröder & Chedly Atallah, Pierres sans répit, 2022
Luise Schröder & Chedly Atallah, Pierres sans répit, 2022
Luise Schröder & Chedly Atallah, Pierres sans répit, 2022
Luise Schröder & Chedly Atallah, Pierres sans répit, 2022
Luise Schröder & Chedly Atallah, Pierres sans répit, 2022
Luise Schröder & Chedly Atallah, Pierres sans répit, 2022
Luise Schröder & Chedly Atallah, Pierres sans répit, 2022
Luise Schröder & Chedly Atallah, Pierres sans répit, 2022
Luise Schröder & Chedly Atallah, Pierres sans répit, 2022
Luise Schröder & Chedly Atallah, Pierres sans répit, 2022
Luise Schröder & Chedly Atallah, Pierres sans répit, 2022
Luise Schröder & Chedly Atallah, Pierres sans répit, 2022
Luise Schröder & Chedly Atallah, Pierres sans répit, 2022
Luise Schröder & Chedly Atallah, Pierres sans répit, 2022
Luise Schröder & Chedly Atallah, Pierres sans répit, 2022

Intervention in public space
Luise Schröder & Chedly Atallah

35m palisade, a flag & an object
Site: Palisade of the Grand Paris Express construction site, Allée Anatole France, 93390 Montfermeil
& at the site of Ateliers Médicis, 4 allée Françoise Nguyen, 93390 Clichy-sous-Bois

In a recent collaboration, the artists Luise Schröder and Chedly Atallah cross their practice around personal and collective memory through the prism of the material: stone. If stone is a symbol of time, of hardness, of solidity, it is here the crumbling of stories, a witness to the past and the raw material of a multitude of futures to come. During a residency at the Ateliers Médicis in 2022, the artists draw up a metaphor for the superimposition of layers of history in Clichy sous bois-Montfermeil. Memories are intertwined: destruction, renovation, resistance, gentrification, extensions of fictitious and real territories ... Pierres sans répit (engl. Unrelenting stones) is presented as an outdoor exhibition in public space as a collection of objects, face to face with photographic archives, traces of forgotten histories, invisible and buried moments.

The intervention was produced with the support of the Société du Grand Paris and carried out with the help of the Archives of the city of Clichy-sous-Bois, the Archives of the city of Montfermeil, L'établissement public foncier d'Île-de-France, Grands travaux de Marseille, Rihab Abdessalem Kanouni & Moslem Mishmastnehi.

Graphic design: Anika Rosen